Julian Meagher interview for Yen Mag

Gallery artist Julian Meagher talks to Yen Magazine about giving up a career in medicine to pursue his passion for painting  HERE.  Julian’s next solo exhibition at Edwina Corlette Gallery will be in April 2013.

Premium 2011 77 x 120 cm oil on linen – Julian Meagher

Congratulations to Julian Meagher

Julian Meagher has recently been announced as a finalist in the Doug Moran National Portrait Prize for 2012 with his painting of Guy Maestri.  Julian has also been announced as a finalist in the Metro Art Award for emerging artist for his work “For Prime Minister”.

FOR PRIME MINISTER 2012 oil on linen 138 x 138cm
GUY MAESTRI 2012 oil on linen 180 x 150cm

Stefan Dunlop – Ten Years Opens at the University of the Sunshine Coast Gallery

Stefan Dunlop’s survey exhibition Ten Years opened last night at the University of the Sunshine Coast to great acclaim.  The show is accompanied by a monograph available for sale through the gallery website, or at the USC Gallery.  Borrowed from private collections Australia wide, the exhibition also includes work from a 2010 residency at the University of Texas (Dallas) and recent work.  Current until 18 August 2012.


JUDITH SINNAMON – Flora From a Fragile Land

Judith Sinnamon’s first solo exhibition opens at the gallery this Saturday, 14 July from 2-4pm.  Flora From a Fragile Land is a series of paintings inspired by the fragility of Australian coastal flora:

These paintings explore the subtle colours of remnant native flora of our coastal areas, flora which is fast disappearing in the onward push of ‘development’.

Too often these unique gifts have been unnoticed, unvalued and extinguished at the hands of settlers from other lands and their descendents.  Still intent on recreating on a blank canvas, some foreign version of paradise they set about replacing the drab green and desolate grey with the bright colours of exotic species.

In my series on Banksia Integrifolia, I delight in the exquisite palette of the coastal flora. Looking up at the heavenly silver-grey foliage, I am reminded of the luminous underbellies of Tiepolo’s clouds and cupids.

Wielding my secateurs I take foliage home to my studio, where I try to link their colours to the pale blue of the early morning sky.  I use a golden yellow base to create the lightness in the sky and foliage works, while for the forest floor series I work into a dark base building up layers of luminous colours. 

BANKSIA INTEGRIFOLIA 2012 oil on canvas